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Then presenter Paddy McGuinness arrived on set and we filmed his podium-splitting entrance. Firstly, all the mystery singers were called to the stage to film our poses on the podiums. Then the call for filming began! I can’t remember what time we started, but the filming took around three hours in total from which 50 minutes would be used in the final edit. Which made the show just as exciting for me as I hope it was for the viewers at home. The secrecy surrounding the gameshow was so high, that I was not able to formally meet or speak with any of the other mystery singers.
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She made me feel fierce yet feminine, a perfect kick-ass combination that could throw the contestants off the scent of my operatic training. I was then sent to Jo Jenkins, who managed my hair and make-up. Even the run-through was a blast, I could not wait till we would begin filming.
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I was then greeted by Annabel Williams, head vocal coach for Britain’s Got Talent, and I rehearsed my entrances and exits, my routines for “ Wuthering Heights” (Lip Sync Song), “ Think of Me” (Stage of Truth Song), and “ Bang! Bang!” (Celebrity Duet with Fleur East). Luckily my Mum had advised me that morning, to just soak up every drop of excitement from the experience and that kept me from getting too overwhelmed or nervous – Thanks, Mum! There were so many neon lights, podiums, cameras, an elevated viewing dock, and much more. During this rehearsal, I was amazed at how awesome the set looked, I felt like I had been transported to a musical spaceship from Star Trek. Very Swanky! I was then called to set for my walk-through. We then left for the studio, where I was provided with a private dressing room.
#I can hear your voice usa tv#
Before leaving for the TV Studio, I had a costume fitting at the hotel and like all the singers I then had a rehearsal of my part for the celebrity duet with vocal coach, Ulrika Bergelind and choreographer Claudimar Neto, so each singer was prepared should we make it through to the final round. The night before filming I was put up in a nearby hotel, which really helped me to stay calm and feel well prepared. The team thought of everything and worked so hard to make the singers feel like an integral part of the production. A massive shout out to Lucy Rutter and Mike Cloherty for making my first experience of working on a TV show run like clockwork. I want to fall asleep to this lullaby and then wake up and do it all again.The production team, ( Thames TV, Fremantle, and BBC), really took care of the participating artists. I want to hear the stillness of the night, the subtle inhales and exhales of our lungs. Words, words, words will flow and cease to the silence of our breathing. I want the reciprocal spoken dialogue, the bantering of two people late at night. I want the urgency of finding my phone and hastily saying hello. I want to hear the rhythmic flow of your voice, the ups and downs of tone, the excitement of a story. I want the certainty of my phone ringing, that anticipation of another human voice. Because if you’re willing to take all the effort to text me that many sentences, I see no reason why you can’t, simply, call me. I can understand texting subtle updates throughout the day, but not lengthy tales or stories. We have rendered the ease of texting as our primary means of communication when, in fact, the intent is supplementary. We are the culture of instantaneous gratification and continuous excuses of busy lives.
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Listen to the power of the spoken.īut the spoken has become a lost art, a pastime even. Listen to the entanglement that is this story. Why read the gibberish of abbreviations, why ponder over unspoken intentions? Why not just relax and listen? Listen to voice, listen to the construction of sounds, the formation of words, the placements of diction. Let me articulate, let me enunciate, let me tell you. My fingers cannot type fast enough, but my tongue can run and spin tale after tale. I don’t want to decipher the unsaid dialogue of texts. I don’t want the bareness of words flashing at me. I don’t want the vacant emoticons and those symbols I still don’t understand.